Lin Feng is an interactive artist and visual creator born in Shanghai and based in New York. Her work moves between the digital and the physical, drawing on photography, field recording, found objects, and site-specific material to construct immersive audiovisual experiences that sit somewhere between memory and place.

Across her practice, a recurring concern surfaces: the things that once held meaning but have lost their function, and what remains when use fades but memory does not. Eight Immortals Table takes this as its literal subject. The installation centers on a traditional elm wood table that once anchored Chinese domestic life, using 3D scanning, TouchDesigner visuals, and interactive elements to explore how familial rituals erode in a fast-moving digital era. Visitors are invited to sit, make tea, and reflect, the table becoming a site for cross-cultural conversation about what we inherit and what we let go. Phantom of the Fest approaches the same feeling from a different angle, projecting an animated narrative onto an abandoned fountain at Pratt Institute. The piece follows a cycle of gathering and dispersal, guardianship and loneliness, tracing the life of a space through the stories it can no longer hold.

What connects these works is not a fixed medium but a shared impulse: to find the residue of lived experience in overlooked or obsolete objects, and to ask what transformation does to meaning. Her ongoing series Wanderlust extends this inquiry outward, into geography and travel. Each chapter takes a different city as its starting point, building Unity-based mixed reality environments from photographs and field recordings gathered while drifting through that place. The work is less about documenting a location than about what happens to perception and recollection in the process of translation, especially as personal memory becomes entangled with collective and algorithmically mediated versions of the same experience. Japan Dérive, the first work in the series, has been presented in Tokyo, Long Island, and Brooklyn. Lin holds a BFA in Visual Communication and an MFA in Digital Arts from Pratt Institute.

封琳是一位交互艺术家与视觉创作者，生于上海，现居纽约。她的创作游走于数字与实体之间，以摄影、田野录音、现成物与场域材料为媒介，构建介于记忆与地方之间的沉浸式视听体验。

在她的实践中，有一个反复浮现的关切：那些曾经承载意义却已失去功能的事物，以及当用途消逝而记忆仍在时，究竟留存着什么。《八仙桌》正以此为核心命题。这件装置以一张曾是中国家庭生活中心的传统榆木桌为载体，借助 3D 扫描、TouchDesigner 视觉与互动元素，探讨家族仪式如何在快速流动的数字时代中逐渐消散。观众受邀落座、沏茶、沉思，桌子由此成为一个跨文化对话的场域——关于我们继承了什么，又放下了什么。《节日幽灵》则从另一个角度触及同样的情感，将一段动画叙事投影于普瑞特学院一处废弃的喷泉之上。作品追随聚散的循环、守望与孤独，透过一个空间已无法再承载的故事，追溯其生命的轨迹。

联结这些作品的不是某种固定媒介，而是一种共同的冲动：在被忽视或废弃的事物中寻找生活的痕迹，并追问转变对意义意味着什么。她的持续系列《漫游》（Wanderlust）将这一探索延伸至地理与旅行的维度。每个章节以一座城市为起点，从漫游其间时拍摄的照片与录制的声音出发，构建基于 Unity 的混合现实环境。作品所关注的，与其说是对一个地方的记录，不如说是感知与回忆在转译过程中所发生的变化——尤其当个人记忆开始与集体的、被算法中介的同一段经验相互缠绕之时。系列首作《Japan Dérive》已先后在东京、长岛及布鲁克林展出。封琳持有视觉传达学士学位及普瑞特学院数字艺术硕士学位。